UCSD Event: Is Populism Reshaping Social Protection in Latin America?

As more right-wing populist leaders appear throughout Latin America, Brazilian economist Tiago Falcão gave a presentation at the Institute of the Americas to speak on how this new phenomenon will influence government social spending programs. 

by Rebeca Camacho
Managing Editor

With the rise of populist leaders all throughout the world, scrutiny of social welfare programs reclaimed attention in the political sphere. On Wednesday, January 29, 2020 the University of California, San Diego’s School of Global Policy and Strategy and Center on Global Transformation hosted Pacific Leadership Fellow and Brazilian economist Tiago Falcão, who gave a presentation on the resurgence of populism and its implications on social welfare programs in Latin America. The event took place in the Malamud Room, located in the Institute of the Americas where many scholars, researchers, and industry experts meet to evaluate developments in the region.

Continue reading “UCSD Event: Is Populism Reshaping Social Protection in Latin America?”

The Who, What, and Why of Climate Refugees

By Rebeca Camacho, Tenzin Chomphel, and Jasmine Moheb

While the science of climate change remains a heated debate at the forefront of international policy agenda, the reality of people being displaced from their homes due to environmental conditions is a hardened fact. The World Bank has concluded that by 2050, 143 million people will be displaced directly due to climate change. Countries that are especially susceptible to environmental disasters are those coming from lower socio-economic backgrounds, as they will lack the technology and preparation necessary to overcome challenges that are brought forth by environmental changes, such as rising sea levels and water scarcity.

Continue reading “The Who, What, and Why of Climate Refugees”

REMEMBERING THE VIETNAM WAR WITH ARTIST TRINH MAI

screen-shot-2017-02-10-at-10-05-52-pm

By Meredith Anderson
Staff Writer

On January 25th, local artist Trinh Mai, a second generation Vietnamese American, discussed her artwork pertaining to her family history at the University of California, San Diego. Mai began by explaining that she was always curious about her family’s history of escaping Vietnam in 1975.

“Curiosity is our spirit showing us that we need to learn more,” Mai said.

In an attempt to learn more about the Vietnam War and its effect on her family, Mai began creating art to tell their story. In 2013, Mai created her “Begins with Tea” series. This collection features portraits of 52 of Mai’s family members encapsulated by used tea bags and embellished with traditional Vietnamese ingredients. Mai explained that stumbling across old family photos in her Grandma’s house “invoked this need to know more [about the people depicted]” and inspired her to honor each person by creating their own tea bag.

While working on this series, Mai had her grandmother, Bà Ngoại, save her used tea bags from the afternoons that they spent sharing family memories. Additionally, she used Vietnamese ingredients, such as saffron and dried noodles, taken from her grandmother’s pantry to symbolize the traditional Vietnamese recipes passed down through her family for generations. When Mai finished the portraits, she shared them with her family. She said that her art “opened up this channel for conversation” within her family, thereby allowing her to learn more about her family.

Then, in 2014, Mai’s beloved grandmother passed away. Mai recounted her experience and explained that after her grandmother’s death, she came across an identification card with her fingerprints. This inspired Mai to use fingerprints in her art. Mai described how in less than an hour, she created Bà Ngoại (Grandmother), a fingerprint portrait of her grandmother.

“When inspiration calls, it moves so swiftly,” Mai said.

She explained that art is a spiritual practice that she has been able to use to heal. In addition to using art for self-healing, she employed this technique on a larger scale to benefit entire communities. Mai’s installation Quiet is an example of this. Quiet was inspired by the letters Mai found at the University of California, Irvine library from Vietnamese families pleading for their lost loved ones to be found. These letters contained photos of individuals, mostly children, who likely never saw their families again.While reading these letters, Mai reflected on the fact that they had been filed away in boxes and virtually forgotten. Mai was so dismayed by this thought that she decided to undertake a project in honor of these lost individuals.

The Vietnamese believe that “if [someone] is not given a proper funeral, their soul can’t rest,” she explained, which is why Mai worked to emulate a traditional funeral. Mai began painting their portraits on large sheets of white cotton fabric, symbolizing the mourning bands worn during Vietnamese funerals.

Although this installation was mainly intended for the Vietnamese community, others experienced healing as well. Mai recounted a conversation that she had with the wife of a Vietnam War veteran, who explained that many American military families resent the war because it took husbands and fathers away.  The woman continued to explain that after hearing stories of  Vietnamese refugees and the losses they are still suffering that “[she] will no longer recount her memories [of the war], but instead will recount [theirs].” Viewing Mai’s work opened this woman’s eyes to the trauma Vietnamese refugees endured and caused her to see her husband’s involvement in the war as a “worthy cause.” This interaction clearly demonstrates the profound influence art can have on shaping the perspective of individuals.

Throughout the course of her presentation, Mai used her family’s story to explain the impact that art and creativity have had on herself and others. Art in of itself is a form of storytelling that uses mixed media rather than words to convey a message. As Mai’s work proves, art can be therapeutic and spark conversations that would not otherwise be had. Specifically, Mai’s story illuminates the impact of the Vietnam War on those who carry on its legacy today.

Photo by Trinh Mai